New York: Limited Editions Club, 1949. Hard Cover. GOOD.. LEATHER SPINE WORN AND CHIPPED, SOME LETTERING MISSING. BOARDS CLEAN, BINDING TIGHT, TEXT FINE. SLIPCASE IS GOOD IS WITH STAINING, EDGE WEAR AND ONE PARTIALLY SPLIT HINGE. BOOKPLATE. Monthly letter and slip laid in. A placeholder while waiting for the right..... More
New York: Limited Editions Club, 1932. Hard Cover. No. 738 of 1500 copies signed by the illustrator. Bound in full leather. SOME RUBBING TO SPINE, SLIGHT SOILING TO BOARDS, HINGES TIGHT, INTERIOR FINE. GOLD-PAPER COVERED SLIPCASE IS VERY GOOD WITH LIGHT EDGE RUBBING AND SMALL, PARTIAL SPLITS TO HINGES. BOOKPLATE..... More
New York: Limited Editions Club, 1957. Hard Cover. No. 570 of 1,500 copies unsigned as issued. FINE BOOK IN VERY GOOD+ SLIPCASE WITH LIGHT SHELF WEAR AND EDGE RUBBING. HINGES SOLID. SPINE LABEL CLEAN AND UNCHIPPED. BOOKPLATES. Monthly letter and slip laid in. Introduction by Stella Gibbons and illustrations by..... More
New York: Limited Editions Club, 1948. Hard Cover. No. 341 of 1500 copies unsigned as issued. SLIGHT SPINE SUNNING, OTHERWISE A BRIGHT, CLEAN TIGHT COPY.IN A GOOD++ SLIPCASE WITH INNER CARDBOARD SLEEVE (UNCOMMON), AND LIGHT CHIPPING TO BOARDS AND ONE WEAKENED HINGE. Introduction by Douglas Southall Freeman and fourteen illustrations..... More
New York: Limited Editions Club, 1955. Hard Cover. No. 38 of 1,500 copies signed by the illustrator. VERY GOOD+ (MILD SOILING TO SPINE, OTHERWISE FINE) IN A VERY GOOD SLIPCASE WITH CLOSED SPLIT AND PAPER COVER CHIPPED AT SPINE BOTTOM. BOOKPLATE. Translated by Lady Mary Loyd, revised by Robert Cantwell..... More
London: Limited Editions Club, 1936. Limited Edition. Hard Cover. No. 654 of 1,500 copies signed by the illustrator. SLIGHT RUBBING TO SPINE CLOTH AND LABELS, OTHERWISE FINE, CLEAN, TIGHT COPIES. SLIPCASE IS VERY GOOD+ , CLEAN, WITH SLIGHT WEAR AT CORNERS AND ENDS OF BACKSTRIP. Illustrated with sixteen lithographs in..... More
Avon, CT: Limited Editions Club, 1974. Hard Cover. Of 2000 copies printed, this is one of a small quantity of unnumbered office copies never sold by the publisher. Bound in half red morocco and marbled boards. FINE, VIRTYALLY NEW BOOK IN NEAR-FINE GLASSINE WRAPPER IN NEAR-FINE SLIPCASE. Marginal Notes by..... More
New York: Limited Editions Club, 1994. Hard Cover. #44 of 300 copies signed by Balthus. Binding of grey-green goatskin. Printed on off-white, heavy mould-made stock from Arches Mill in England. FINE, VIRTUALLY AS NEW, BOOK, IN NEAR-FINE CLOTH-COVERED CLAMSHELL BOX WITH SLIGHT DISCOLORATION ON BOTTOM PANEL. A variety of items..... More
Verona: Limited Editions Club, 1056. Hard Cover. #514 of 1500 copies signed by the printer and illustrator. HINGES BEGINNING TO SPLIT. IF NOT FOR THAT, IT WOULD BE AS NEW IN DUSTJACKET. VERY GOOD SLIPCASE HAS STRONG HINGES, SLIGHTLY DARKENED SPINE AND SOME EDGE WEAR. BOOKPLATE. With an Introduction by..... More
Lununberg, VT: Limited Editions Club, 1975. Hard Cover. #358 of 2000 copies signed by Lynd Ward. AS NEW BOOK IN VERY GOOD SLIPCASE WITH SOLID HINGES, LIGHT WEAR TO PANELS AND SMALL STAINS ON SPINE LABEL. Monthly letter and slip in envelope laid in. Edited by Peter J. Stanlis. Illustrated..... More
London: Limited Editions Club, 1931. Hard Cover. No. 258 of 1500 copies signed by the printer. VERY GOOD+. SUNNING TO SPINE, AND PART OF UPPER REAR BOARD, ALL ELSE FINE. BOOKPLATES. NO SLIPCASE. Preface by Ralph Waldo Emerson and instruductionby Bliss Perry. More
Haarlem, Holland: Limited Editions Club, 1972. Hard Cover. #1361 of 1500 copies signed by the illustrator. FINE, VIRTUALLY AS NEW, BOOK IN NEAR-FINE SLIPCASE WITH VERY, VERY SLIGHT WEAR. BOOKPLATE. Selected, Annotated, and Introduced by J. Rives Childs. Water-color illustrations by Rene Ben Sussan. More
London: Limited Editions Club, 1939. Hard Cover. #1050 of 1500 copies signed by the printer, George W, Jones. VERY GOOD. MINOR WEAR TO BOARDS ADN CORNERS, BINDING TIGHHT, INTERIOR CLEAN. NO SLIPCASE. BOOKPLATE. Rendered into modern English verse by George Philip Krapp, More
Verona, Italy: Limited Editions Club, 1972. Hard Cover. #1366 of 1500 copies signed by the illustrator. FINE IN VERY GOOD+ SLIPCASE WITH SHELFWEAR ON BOTTOM. BOOKPLATES. Monthly letter and slip laid in. Introduction by Reginald H. Barrow. Illustrations by Salvatore Fiume. More
New York: Limited Editions Club, 1949. Hard Cover. #1142 of 1500 copies signed by the illustrator. SOMEWHAT SUNNED SPINE, BRIGHT GOLD-LEAF BOARDS, INTERIOR CLEAN AND TIGHT. SLIPCASE WITH LIGHT EDGE WEAR AND STONG HINGES. BOOKPLE. VERY GOOD+ IN VERY GOOD SLIPCASE. With an introduction by Carl Van Doren and illustrations..... More
New York: Limited Editions Club, 1969. Hard Cover. #28 of 1500 copies signed by the illustrator. FINE BOOK, IN FINE CLEAR PLASTIC WRAPPER IN NEAR-FINE SLIPCASE WITH MINOR RUBBING. Introduction by Leo Gurko. Illustrations by Robert Shore. More
Avon, CT: Limited Editions Club, 1975. Hard Cover. #1460 of 2000 copies signed by the illustrator. FINE BOOK IN FINE GLASSINE WRAPER IN FINE SLIPCASE. Monthly letter and slip laid in. Introduction by Clifton Fadiman. Illustrated by Robert Shore. More
New York: Limited Editions Club, 1961. Hard Cover. #223 of 1500 copies signed by the illustrator. NEAR-FINE BOOK WITH MINOR WEAR TO LEATHER SPINE, NO SPINE SUNNING, TIGHT BINDING, CLEAN TEXT. SLIPCASE IS ALSO NEAR-FINE WITH MINOR WEAR. BOOKPLATE. A very nice copy. Introduction by John T. Winterich. Illustrated by..... More
New York: Limited Editions Club, 1932. Hard Cover. #1153 of 1500 copies signed by the illustrator. Bound in half-buckskin with marbled paper boards. NEAR-FINE BOOK WITH LIGHT WEAR AT SPINE ENDS. BOOKPLATE. NO SLIPCASE. Illustrations by Edward Wilson. More
Lumenburg, VT: Limited Editions Club, 1942. Hard Cover. #333 of 1500 copies, signed by the illustrator. FINE BOOK IN NEAR-FINE GLASSINE WRAPPER WITH SLIGHT WEAR AT SPINE ENDS, IN VERY GOOD SLIPCASE WITH LIGHT RUBBING, STRONG HINGES,A DN SMALL SCRAPE AT SPIEN BOTTOM. BOOKPLATE. Monthly letter and slip laid in..... More
Menasha, WI: Limited Editions Club, 1940. Hard Cover. #380 of 1500 copies bound in one-half deerskin leather and pictoiral boards, and signed by the illustrator. TYPICAL LIGHT WEAR TO DEERKSIN SPINE, OTHERWISE CLEAN AND TIGHT. BOOKPLATE. NO SLIPCASE. A note upon the binding is laid in. Introduction by Harry Hansen..... More
New York: Limited Editions Club, 1981. Hard Cover. #331 of 2000 copies signed by the author and photographer. NEAR-FINE BOOK (VERY LIGHT FOXING TO EDGES) IN FINE SLIPCASE. Introduction by Leon Edel. Illustrated with contemporary photographs.by Berenice Abbott. More
New York: Limited Editions Club, 1954. Hard Cover. No. 256 of 1500 copies signed by the illustrator. A NEAR-FINE BOOK IN A GOOD SLPCASE WITH SOLID HINGES AND MOST OF GOLD FOIL COVERING LOST. BOOKPLATE. Monthly letter laid in. Illustrations by Reginald Marsh. More
New York: Limited Editions Club, 1968. Hard Cover. #699 of 1500 copies signed by the illustrator. NEAR-FINE BOOK (SLIGHT RUBBING TO SPINE LABEL) IN NEAR-FINE SLIPCASE. BOOKPLATE. Introduction by J.R. Sutherland. Illustrations by Domenico Gnoli. More